Necrospective: GOD MACABRE

I am going to see the band live in a few days  I have seen this band live a few days ago so I thought I’d give a spin to these old records once more before the show and share a little bit of thoughts on this great stuff.

The 7" on Corpsegrinder and the MBR Cd

The 7″ on Corpsegrinder and the MBR Cd

Macabre End “Consumed By Darkness” demotape/7″

The band started out as a group with a swedish name – which I THINK roughly translates to “The bottom of the bottle” – which I have never had the chance to hear. In any case that’s not of any relevance as this demo is where the good shit started to grind. Macabre End’s (and God Macabre too) sound could be described as a thick blend of Carnage chunky riffs, Paradise Lost harmonies and some Autopsy sickness here and there. Being Autopsy my all time fave band, with Carnage in the top five right behind, I think it’s superfluous to say I pretty much worship this kind of stuff. To simply define them as melodic Death Metal would be blasphemous since the real core of these songs is brutal, downtuned and straightforward, with a rather powerful vocalist on top of it all. Where the (early!) PL influences I mentioned before could be heard is not within the single riff but mostly in bridges and well distinct sections so that no overall brutality is compromised and at the the same time they add variety to maintain freshness and substance, The demo tape DOES have a different sound actually but for once the new mix on th 7″ does not compromise the face-forward brutality of the Swedish sound and I would dare to say for once that some keyboards, when properly placed, do nothing to diminish it either. The songs are the same though and Corpsegrinder in my opinion used to delived yet another good bullet here for its short life span.

God Macabre “The Winterlong…”

The band changed name here for a MLp on that weird label Mangled Beyond Recognition which also gave us orgasms with releases like Crematory, Insanity and the vinyl repress of Grave’s awesome “Anatomia Corporis Humani”. The sound didn’t flinch at all from the previous recordings as we still have the truculent, tenebrous, Carnage core (I can’t really play a shit but I would bet at least two of these riffs are also present on “Infestation Of Evil”) with slow, grinding and malignant passages typical of Autopsy and those earlier British attempts at a more melodic (but not mellow) form of gothic-Death. At 30-score minutes, it is considered a Mini Lp even if in the post-Reign In Blood era I guess we could have stretched it a bit and define it a borderline full-length. One of the song (“Spawn Of Flesh” which from what I read has supposedly a “vegan” message) has been brought here from the Macabre End days. I don’t have the Relapse version but from what I read they included the Macabre End demo in that new edition. The guy in Nuclear Winter told me years ago he was considering releasing this album on vinyl. How it ended up being pressed by a different label instead is a story I have no information about. The cool news is Relapse is pressing its own vinyl version this year with a limited edition colored vinyl only for their mailorder so if you missed it back then this is the right time to act. The diehard version comes with a cool set of action figures as well. Just kidding, eh (that is Grave).

“Eve Of Souls Forsaken” Live

We are living in hard times, where you have to be quick or very rich to get all the cool shit that gets released (or re-released). This is a limited edition live from 1991 which saw the light a couple of years ago and gets sold nowadays for over 100 bucks. Alternatively you could be a dick like me, and don’t give a fuck about live albums, ah ah! I admit it would be nice to have anyway. I have never heard it so I can’t give you much more detail on this release.

Notes

Suppuration

Suppuration

Guitarist Ola used to write a fanzine called Suppuration, some nice guy scanned it and created a gallery on VKontakte, download it here if you want to have a look.

2013 Concert in Italy

Like I said before I was lucky enough to attend to their show in Brescia (which I have been told was their first show ever out of Sverige)  during which they really managed to crush everything. The sound was massive and the vocalist still has the same deep, powerful vocals. Have a look yourself at the show, I took these videos with my phone in a rather unfortunate position, so please forgive me for the sound quality.

Videos

Gallery

 

NAUSEANT (Swe): “ILN” demo Cd-r 2009 s/p

Nauseant ILN

Now this is finally something really interesting. There’s this dissonant, progressive-schizoid aspect in Stockholm’s Nauseant that is really something we don’t hear every day. We’re not talking about some shredding guitar display or some crossover incursion into Jazz or some other irrelevant genre, but about really atonal Death Metal in the vein of Demilich, Carbonized or the more recent Diskord. I really do like when a band has the courage to attempt a trip into these indistinct lands of intricate melodies, always turning and weaving and morphing into another identity. And I like it even more when the sound remains strongly rooted in dismal Death Metal – for being indistinct and avant-garde doesn’t necessarily mean sewing together a million different genres. Nauseant is ever-changing, ever reshaping, but still maintain identity in its sound and feel, with hyper-guttural vocals as a static basement over which the song is shaped. I cannot tell much about the lyrics since they’re not included here (but hey, it was cool to read my copy is one of 30 hand-numbered Cd-rs!). The packaging is bare and essential, just a warped abstract column of flesh with a logo close to it, the kind of bare necessary I appreciate in a demo tape Cd-r. I cannot recommend this one enough, I would like to hear more bands like this.

THE ARSON PROJECT (Swe): “Blood and Locusts” Ep Cd 2008 Power It Up

 

the-arson-project-blood-and-locusts

Technically speaking there is nothing objectionable in this Ep, and I loved it when I read that the ten songs on it are on the average less than a minute long. I hated when I saw the punchhole on the back inlay though. Is it so discomforting for a label to think promotion is being paid those 4 meager euros an editor can haggle by selling a second hand Cd? Not that I will ever sell a promo Cd (it’s against my ethics) but like I have said ad nauseam – and I will keep saying it every time I see a punchole or a cutout or any kind of marks on a promo – I pretend to be paid the 80 cents a label pays for a Cd plus postage for using my time to publish it on this e-zine/blogzine/whatever (yeah even with 5 years of delay, eh eh). Hell, I have to recognize that labels do not even send promos anymore. I just delete the promo-download offers when I get that shit in my email inbox. Do they really ask you to download promos? Sure, why don’t you ask me to buy it, lose an hour writing a review and  promote it for free?

Like I said before there is nothing wrong in this Ep. There’s even a super slick neogrind-willowtip-di-sto-cazzo layout with all those scratches and Photoshop layers overlapped like pros. The layout is balanced and we got all the necessary infos from recording details to thank lists. This at least looks like a 15 minutes Ep one could actually spend some money on, at least from the visuals.

“Nothing wrong” could be “not enough” when we talk about music, though. Considering the multitude of records circulating these days, even a recording with careful and well studied structures like these might not be enough. When the band plays Rotten Sound it works pretty well, as the sound is thick enough to stand the hyperspeed blasting. There are two things however that just don’t click into my chords. The first and foremost is the terrible vocals that sometimes creep in. Some sort of painful scream that just blabbers “we have arrived to the neogrind bandwagon”. Don’t get me wrong, when the band blasts it cam blast heavy and through, but then they have those fucking shitty beyond belief dissonant slow Neurosis-like  bridges that I just can’t stand. Were they fast all the time I would have appreciated the Ep somehow. The problem is really the high pitched screams that are as brutal as cracker crumbs on a bed sheet. Just a few songs for people that like this stuff, as for myself, when I reached the second part of track 5 I felt the urge to get a gun and shoot the Cd player.

ABSURD (Swe): “Discography ’91-’92” compilation Cd 2012 Black Vomit

absurd-discographyAhhhh! When Nuclear Abominations first became a webzine in 1999, one of the most boring things to do was scanning covers. It was outrageously boring shit, yet it was cool at the same time since it was difficult to see underground record covers, especially when we talk about very old releases. Am I complaining like an old sailor here? Hell no! All I had to do this time was just Google-ing the name of this compilation and, like magic, here is the cover. Man, these are really great times for lazy fucks like me. I wouldn’t even have to open the Cd, I could just listen to this on YouTube. Couldn’t I?

Considering I am not some high profile psychologist nor a hermit swelling in its own thoughts, I am not going to ponder the reason why I still do buy records sometimes. I haven’t really thought much about it but like I always did for music-related stuff, I just go with the feelings I have at the moment. That’s why I never learned to play an instrument I guess. Whatever the case I was intrigued to hear this retrospective. Obviously, I had listened to the  main recording that make up this collection before, namely the 1991 demo tape later repressed on 7″ on Seraphic Decay (mine is on trippy pink paper cover, combined to the abstract design it was quite a nice psychotropic experience), but I never had the chance to hear Absurd live before. Obviously we’re not talking about the German NSM band (I omit the B on purpose here), but one of the small underground Swedish bands that played in Sweden in the earlier days of this form of music. They were from a small town just north of Stockholm (Täby, same town as Treblinka)  for what I see, and well, you cannot really go too wrong with a 1991 band recording a demo at the Sunlight Studios at the time can you?

Before going on the the release itself, I’ll gladly spend a good word or two on the label: Black Vomit (from Greece) is the same label that released that Necro Schizma compilation we saw some 10 years now (IIRC it was From Beyond that released it) on wax, and – thank you Satan my lord – it has been released on super standard black vinyl with an super standard, bare packaging – enough with huge boxed sets spilling patches and pins from every corner. While I am a Necro Schizma fan and I did get the record as soon as I saw it, I have n0t bought their Genocidio vinyl yet but I plan to do it sometime in the not too far future. I have that old Ep of them and a more recent Cd from the early nineties (“Hoctaedrom”, how did it end on the local pop music store is a mystery) and I liked that stuff pretty much: good brutal sound without too much gloss.  Together with this Cd I also got the Necroccultus / Sub Niggurath split, which is also killer. Good work man. Support this label.

Now on this proper Aburd release. One big “thank you” for not using the bakery shop logo they got on the Seraphic Decay Ep, I am pretty happy with this one. Thank you also for keeping it lineart black and white, please somebody tell every label doing reissues today that this is the ONLY way to go. I learned from the interview repressed in the booklet taken from the Return of Swedish Dodsmetall that the band used to change logo continuously (more or less like Nun Slaughter?) so the one we saw on cover is probably just one of them According to the ex-Espulsion guy Christopher Wowden, the band (but I can read “him” between the lines) was not fond of classic Death Metal logos so my guess is the logo chosen and the cover we see here is probably not what the band would have used at the time. Have a read at the interview if you don’t have Nicola’s book because it’s quite interesting.  In conclusion, Absurd wanted to be progressive but the Cd came out way more similar to a old school Death Metal release than 80% of the retrospective I see these days. All in all, I am happy with this choice.

So what do these Absurd sound like? Well I am talking about the 3-trax demo here, because the live show, while interesting (there’s also a Pungent Stench cover), doesn’t exactly convey all the down-tuned, spectral sound of the band. I could dare to say sometimes the band has that slightly Crematory-ish semi-melodic vibe in the background, but all in all it’s Swedish Death metal. Highly structured, with a lot of tempo changes and blast beats, but Swedish Death to the core, hell yes. The vocals are not just the hyper-deep kind, and even have some metallic effect on the third track “See Through Me”. This last song definitely needs some extra attention because it has a lot of structure. I really like when bands attempted to experiment a bit while keeping it brutal (think Demilich or Crematory). It goes all through the spectrum of mid tempos and blasts but the choice of riffs and malevolent tremolos is something that could only come from 1990 Sweden. I have plugged off from the world for a few years but I am curious to see if any more recent band can capture this feel.

Good shit, get the Cd even for the three studio tracks if you don’t have the Seraphic Decay Ep. One single complain I could say is there is really little info except for a pretty regular collage and the aforementioned interview. I guess I would have liked a repress of the demo thank-list or some other extra information on the recordings, but after all you can excerpt the necessary info from the interview, so no big deal.

GENERAL SURGERY (Swe): “Left Hand Pathology” Cd 2006 Listenable

Okay, let’s start by taking a deep breath. An album like this is a monumental effort and it deserves strong reactions. First off, the idea for the cover artwork is cool: it is a drawing of a set of surgical instruments from the middle ages in the vein of Necrony and Haemorrhage demos, on a worn paper effect which is effective is fot hugely original. However the font chosen for the title is definitely not the best on earth (but I’ll let it go since it seems the same one used for Necrony’s debut) but, well, that jelly effect on the logo is really bad, especially when so close to a lineart drawing like the one of the tools below. Whatever. Another thing I hated a LOT is that this record oozes tongue-in-cheek humour since the very title (think about Entombed‘s debut album) and more of  it you get from the song titles (haven’t read the lyrics, they’re not present on the cardboard promos grrrr), a song name like  “Ambulance Chaser” sounds more Birdflesh to me than gore, and I’d sriously like to say two words to whomever invented a SHIT title like “The League of Extraordinary Grave Robbers”. For sure there was a lot of  nasty humour in early Carcass as well (“Festerday”, “Rotten to the Gore”, “Malignant Defecation” etc), but this just sounds too cheap to me, I am just a bit bored of bands making fun of splatter, some bands should definitely learn from the Brazilian scene).

However, when we talk about music, this record shredded the fuck out of my brain, this powerhouse has the same bulldozing energy of “A Chapter of Accidents” plus “Gore Metal” plus a lot of extra crusty groove-steeled energy. Really “the festering stench of rotting flesh makes me drool as I consume… ” this album!!! Some faint rock’n’roll swing a la “Necroticism” drops in here and there, but generally speaking, making excessive referencing to Carcass would be unfair. For sure early Carcass songs were the matrix from which this band was spawned in the beginning, but considering how the Carcass songs were structured (and when I talk about Carcass I just consider the recordings up to “Necroticism” and this last one with a snort and a spit and a swear, fuck off mr Amott for destroying a cult band), there is not really much of them except for the sound, lyrical themes and the sick vocal approach. Musically I’d say this General Surgery 2.0 is more oriented towards Swedish grind/crustcore: if we strip the songs to the very core, I bet if you change vocals and guitar distortion you’d get something interesting. Whatever the backbone is however, this new stuff has a frighteningly high energy level, full of thrashing guitar riffs, perfect drum arrangements, and a very mature production that places all of the instruments evenly without sounding artificial at all. This is an album that MUST be bought, because things here are really superior compared to the mumble-jumble of second generation clones! The vocals are manipulated in some heavy way but you can tell the original timbre is deep and powerful so the resulting effect is twice as good. There are a lot of sick tempo structures and guitar interconnections here that give the whole album a complex but studied sound, but it’s great to hear that the accent weights on the fistbanging, mayhemic, old school RIFF!. If there is only one thing I miss on this album which might have made me happy, is the lack of explicit gore and the overabundance of fun, this is luckily not fucking Ghoul, but there is just too much light hearted enjoyment going on for my tastes. I just wish I had seen some viscera on the cover, that would have been original, for once… bah!