20 tracks from mostly Death Metal and Grind Core band. Avoiding to highlight notorious names such as DYING FETUS, NILE or HAEMORRAGE it’s woirth to mention the presence of almighty BASTARD SAINTS, Italian’s grind response to DYING FETUS, VIRULENCE, pretty dark, splatter Death Grind, a very Swedish Death sounding DARK RISE and SPAWN. Absolutely incompetent and indecent are ARCANA XII, CRACK UP and VIU DRAKH (intolerable vocals). Interesting approach is that of WARSPITE to Black/Death Metal but I need some more stuff and in particular recorded a bit better to
Archives: Reviews
VV.AA.: “Season of Mists/Holy Records” Cd 1999 Season of Mists/Holy
Although a conceptually original for sure the idea to have a two hands approach to a compilation sampler, there is very little interesting in these bands. I had to skip the first tracks after 1 minute each because they all mostly stick to the same genre which is equally distant from metal as to Albano e Romina or QUEEN, the only ones which for some obscure reason I succeeded in bearing the whole song in the first 10 tracks is BETZAIDA, which have flute pretty dominant in the songs which I consider one of my favourite instruments ever. BLOOTHORN actually is not the worst, but they’re absolutely mediocre and despite a good backing music with some early PARADISELOST reminiscence doesn’t strike very hard. ANATA are classic, rough Death Metal, with some absolutely avoidable melodies in between, which FURIOUS TRAUMA, vaguely on the same path, cleverly avoided. I also was surprisingly pleased by ANOREXIA NERVOSA, a band who I absolutely ignored, schizoid and weird, psychopathic and with a distant new school GORGUTS feel. Of the whole CD absolutely the ones to keep in highest esteem. Worst band sceptre deservedly go to NIGHTFALL and MISANTHROPE, human shits who should be denied to breath at all.VV.AA.: “Metal to the Metals” Cd 1999 Cd Perverted Taste
Another label-centred compilation, featuring 16 tracks by 12 different bands. 4 Death Metal bands (PURGATORY, COERCION, BRAIN DEAD, AGONY CONSCIENCE), one fun/grind/demented dand (namely BRB) and some more or less low level self called Black Metal stuff. Actually the brightest point in the comp are by SEIRIM, an excellent rude, abrasive Death/Black Metal band fast and ferocious as fuck and which I dig to the bone, and the great BRAIN DEAD and the even better Gore Brutish Death act AGONY CONSCIENCE, which sounds like some good American based Brutal Death Metal band with one of the crudest sounds around, gurgling vokills and downtuned sonorities (this band alone is worth a 9 believe me, I am already looking for their stuff). The rest of the comp is more or less canonical.VV.AA.: “Statements of Intent” Cd 1998 Wicked World
Oh well that’s a juggernout of a CD isn’t it? Never seen a compilation this long anyway, it spurts notes from every pore eheh. Well actually this CD was meant to be a show on the direction Wicked World would have taken from the beginning on, as it’s a sort of debut for the label, and probably had some sense only if you think the time it was released the label was just born. Two things escapes my reason however, first, only few of the bands contained are effectively signed on Wicked World/Earache, and second, if we want to justify it by thinking that they wanted to collect a sample of they music they were to propose, why are these soings so eterogeneus? I mean, you got the shitty thrash band THE HAUNTED (very weak late SLAYER clones) to begin with, follow up with a melodic death band, a pop/death and such as IN FLAMES, one of the worst bands I have the unluck to hear in the last few years maybe only second to SIX FEET UNDER: ARCH ENEMY (spit), then black metal, death metal, grunge, thrash… I cannot really see clearly what Wicked World intentions were at the time they thought of this comp, especially considering much of the matierial was just repressed and not a collection of rare versions…I dunno if I got the point they wanted to express but if this was really a statement of their intents in the music business, they had swayed a bit from mmy expectations. Luckily they actually released really excellent stuff (DECAPITATED above ’em all), but much of the music contained here, in this specific disc is either redundant and very easy to get, or plainly out of my tastes, and only deserving a note for the high quality digipack (very nice)VV.AA.: “Scream Forth Blasphemy: A Tribute to Morbid Angel” Cd 2000 Dwell
The unstoppable flow of compilation CDs and tributes have rapidly grown me bored if I’m to be honest, however to receive this one compilation in particular was far beyond any of my expectations. First and foremost this is surely the most successful and complete of all the long series of Dwell tributes, completely packed with great music and designed to very high level standards, starting from the cover which while very simple, takes out the favorite aspect of MORBID ANGEL’s personality, roaring hell fires and medieval demonic iconography, shadows of Ancient Gods and grotesque bas relief. Musically however, this comp ripples with amazing material performed by highest standards musicians (Ok, keep in mind these are MORBID ANGEL songs, they’re not straight to play at all…), among whose I counted at least half a dozen of the best musicians who were playing at the time of the release: DIABOLIC makes the most impressive of covers, in a way even more fierce and defiantly brutal than the creators, with “Rapture”, follows our European champions, CENTURIAN (the tale behind this song is murky, as Wim has told me they had recommended Dwell not to publish this song…), while ANGEL CORPSE perform a version of “Demon Seed” which, no kidding, is really better than the original one…. I say it all … this cover is something to peel your face with cruelty.. And then COFFIN TEXTS, HEADHUNTER DC which make em so much darker… WITHERED EARTH tunes “Day of Suffering” so low it grunts like a huge rock rolling down a stone passage although basically the song remains the same, then I was happy to see at least two Black Metal bands, both legends for me, acknowledge M.A.’s importance, both with very straight to the point covers, MYSTIFIER (a classic BM band for those who don’t know them) and BLACK WITCHERY (considered the best in USA right now, and therefore of Europe as well)… some other songs fall in the average range of good skilled imitations although lacking some personality, I shall name DRACONIS, DAMNATION, AURORA BOREALIS and EXMORTIS but what the fuck… if you want to get one tribute this year, that’s the one.VITAL REMAINS (USA/Ri): “Dawn of the Apocalypse” Cd 2000 Osmose

Tracklist
1 - Intro 2 - Black Magic Curse 3 - Dawn of the Apocalypse 4 - Sanctity in Blasphemous Ruin 5 - Came No Ray of Light 6 - Flag of Victory 7 - Behold the Throne of Chaos 8 - The Night Has a Thousand Eyes 9 - Societe Des LuciferiensAccording to the booklet the CD was recorded some 1968 years ago, which means the band must have been the real founders of the genre, definitely beyond their time eheh, fuck VENOM… anyway this album is not the easiest to read, VITAL REMAINS approach to Satanism has always been somewhat a bit more articulated and this album dedicated to Anton Szandor laVey, has not precise quotes by the likes of Goethe, Goebbels, Freud… and the lyrics are thereafter inspired by such enlightening tetxtx. Aye, lyrically (and musically aehm) they’re not the grandur of ANGELCORPSE, but they do it well, straight to the point and brutal in their approach. The cover artwork is magnificent, really gives the idea of an apocalypse, and the whole interior art is ripe with Death and Diabolical themes… musically, they’re impeccable, as always. Blasting drums, contorted solos, a perfectly balanced sound for an absolutely classical blend of Death Metal, the purest form of it. Grunting vocals, good guitar riffs (note that the drummer is the one who also write the solos…), this is top notch Death Metal, with no particularities of sort, it’s just plain good and sincere, no Egyptian interludes, no experimaental tracks, just Death Metal with a diabolical, dark soul… there is actually a flamenco-ed guitar in the third track, when the music gets darker and moodier… a kind of experimentation which in VITAL REMAINS always reached, in my humble opinion, their highest results… and a 1 minute long instrumental track in the vein of MORBID ANGEL’s Blessed are the Sick, but it’s just a short interlude… A good release.VISCERAL BLEEDING (Swe): “Internal Decomposition” Cdr 2001 s/p

Tracklist
1 - State of Putrefaction 2 - Gasping for air 3 - Exposive Surgery 4 - Time to RetaliateThere is a wing in the dragon shaped Scandinavian peninsula who strives to separate itself from the cliches of either old school (GRAVE era) and modern school (*spit*, IN FLAMES era) Swedish Death Metal, promptly looking for the clichès of American Death Metal. Headstrongly backed by acts such as SOILS OF FATE in primis (for a strictly chronlogical reasons at least) and then with IMMERSED IN BLOOD, BUTCHERY and now VISCERAL BLEEDING, this is a wing who vehemently follows the crushing, heavy moshing riffage of more American styled bands. Bass saturated, technical and with full, gurgling vocals, this band just don’t remind me only of CANNIBAL (they’re faster), SUFFOCATION (they’re less contorted) or DYING FETUS (less varied) as I read around. If we need any referrals (and it’s something I overdo sometimes eheh) I can say EUPHORIC EVISCERATION, early SHREDDED CORPSE, REPUDILATION or most of the new brand REGURGITATION – like bands with much free drum variations which pop in USA with quite some frequence. The fact of being distant from the States helps the music stay at safe distance from overly two-step mid-tempo mosh who bores the hell out of many of these releases, but I think they could hold the stage at any Ohio Death fests with lot of consensus. I absolutely LOVE the sound of the drums here, and the overall work is so filthy I can even skip the fact they copied an AUTOPSY title (“Gasping for Air”, and it’s not a cover). Brutal shit.
