Tag Archives: technical death metal

NAUSEANT (Swe): “ILN” demo Cd-r 2009 s/p

Nauseant ILN

Now this is finally something really interesting. There’s this dissonant, progressive-schizoid aspect in Stockholm’s Nauseant that is really something we don’t hear every day. We’re not talking about some shredding guitar display or some crossover incursion into Jazz or some other irrelevant genre, but about really atonal Death Metal in the vein of Demilich, Carbonized or the more recent Diskord. I really do like when a band has the courage to attempt a trip into these indistinct lands of intricate melodies, always turning and weaving and morphing into another identity. And I like it even more when the sound remains strongly rooted in dismal Death Metal – for being indistinct and avant-garde doesn’t necessarily mean sewing together a million different genres. Nauseant is ever-changing, ever reshaping, but still maintain identity in its sound and feel, with hyper-guttural vocals as a static basement over which the song is shaped. I cannot tell much about the lyrics since they’re not included here (but hey, it was cool to read my copy is one of 30 hand-numbered Cd-rs!). The packaging is bare and essential, just a warped abstract column of flesh with a logo close to it, the kind of bare necessary I appreciate in a demo tape Cd-r. I cannot recommend this one enough, I would like to hear more bands like this.

SICKENING HORROR (Gre): “The Dead End Experiment” full-length Cd 2009 Soulflesh Collector

SICKENING HORROR The Dead End Experiment

I feel on discomforting ground as I can’t exactly describe the music Sickening Horror is playing on this sophomore album. It might be I haven’t been listening to much stuff lately and my writing is getting progressively rusty with time but I can’t find any acceptable resemblance to make comparisons. Even if it’s another galaxy entirely, we can imagine a cross between late Carbonized or Oxiplegatz (only to give an idea of how freaky the songwriting is) with touches of Immolation (hey there’s even Dolan doing backing vocals here on one track!) or Disincarnate here and there. Overall, it’s quite unusual for a band to reach this level of asymmetry without sounding like a patchwork of riffs (see my previous review on Deny The Urge). I won’t disregard this band as just another technical death metal project since playing skill is certainly not the end here, but a mean to create a weird sound landscape. A jagged landscape of trippy angular and dissonant Death Metal for sure, yet I can’t say all this is extremely brutal nor aggressive which is the reason I can’t really rate it astonishingly  high. Let’s face it once and for all: Death Metal is not about samba. I certainly do appreciate that these guys are able to create something unique, and I really like the fairly muddled obscure production that makes me go back to the earlier days of Disharmonic Orchestra but I prefer something a little bit more straightforward today. My best suggestion however would be to listen to the whole album before giving opinions because there’s something highly operatic working on here which can be enjoyed only in its entirety. It doesn’t happen often that I am not bothered by warped melodies and swirling solos, but here we’re on really capable hands. These guys play the only way I can actually appreciate extreme variation. This is very good work even if I am not entirely in my element. Of all the records I have reviewed recently, this might be one of the few I actually encourage you to buy.

Good things can be said about the packaging as well. The booklet is a 16 page monster with rather good lyrics worth a read (quite conceptual), and while I skipped a bit on the cover art in the beginning, I now find it fitting the concept as the whole thing has this hypnotic stile like an Origin booklet made well (and blow up my house, but I find this band more interesting that Origin as well).

DEFEATED SANITY (Ger): “Psalms of the Moribund” Lp Cd 2007 Grindethic

I am not an incredible fan of cold, mathematical, technical brutal Death Metal – American style. But when it is played properly, it is able to raise so much intensity and thickness you really cannot get with other forms of standard Hard Core and Metal. Defeated Sanity‘s sophomore “Psalms of the Moribund” delivers hard and efficiently, an incredibly thick carpet of frighteningly intricate guitar work, guttural stone-grating vocals and hyperblasting drums. I think I even saw them live once but for some reason I completely overlooked them. It might be since this is not the kind of bands I like to see in an open air gig where the sound is dispersed in the ether.

The sound on “Psalms” is deep, bass heavy and suffocating, the kind of sound that coupled with non stop constant blasting and curving leaves no breathing space whatsoever. The production as said before is rather sludgy and mucky, but to me it fits finely, it almost as you can see the meatcleaver chop and hack and truncate chinks of flesh from a cadaver. Not a total swamp like in Enmity, but almost. The riffing is impressive, you got an half gazillion leaks, harmonics and squeaks in the middle of all this fucking calculated chaos. I cannot but recommend this shit for all those into hyper-intense Brutal Death where skill and musical ability is at the service of intricacy without bending to the necessity of making the sound softer. There are just 3 or 4 wigger slam riffs a la Devourment in the whole Cd, all the rest is non stop barbarity. Very, very good.

The cover artwork looks real good, however I got this promo on a shitty Cd-ROM with xeroxed cover, I cannot give an opinion of the packaging or the lyrics. I hope one day labels will realize having some promotion on a webzine might be worth sending a 2 dollars Cd instead than a 2 dollar Cd-ROM.