I think we all would agree if I dare to say that John McEntee has listened to a LOT of Autopsy before writing “Primordial Domination”, which is fine by me since it was the best band ever in the Death Metal universe. I still write New York is the base for this band although they have moved to Cleveland several years ago – and then NJ or Johnstown or Grove City, I lost track there are three different addresses here. The asset is the same that gave us the previous masterpieces of old School Metal of Death: John at the guitar and Kyle on drums plus random bassist (this time the big guy called Joe Lombard which also writes the majority of lyrics) – and their adopted fifth member the producer Bill Korecky. This is not the first Incantation album with John on vocals but it’s the first one I manage to listen and dissect carefully. I haven’t really listened much to “Decimate Christendom” or the horribly looking “Blasphemy”. I can surely say the vocals are absolutely okay, not as deep as Pillard’s or Rhamer’s but more in the vein of Corchado, still more than okay in the studios even if not impossibly dark (but they are very weak on stage). Everything however really falls in the background in importance when this guy works his magic on the guitar. He’s the best motherfucking guitar player around when it comes to spewing Death Metal anthems. I have the obsessive malignant vibes of “Mortal Throne of Nazarene” and “Diabolical Summoning” still chilling my skin every time I think about those albums, even if it’s probably over one year I haven’t listened to them. I have to say however that while theoretically perfect, and chock full of killer riffs and spells of unholiness, not to mention Autopsy worshiping moments, this album is not as majestic and eerie as it could be. It’s a bit like when “Infernal Storm” came out, an album which I cannot say I dislike, but I cannot say I love either. It’s just so difficult to challenge those two albums I mentioned before that things sometimes just don’t manage to reach the same level of intensity. I love this album anyway, but I cannot define it a masterpiece. All the good Incantation elements are present here, and not only in the line up: unholy growls and pure Death Metal riffs with that minimal dose of evil doom, you cannot really make a mistake when it comes to Incantation. Yet I will still rotate the first three albums in my Cd player. Listenable is doing a good thing with packaging – the artwork is by the excellent Jacek Wisniewski (I still prefer Miran Kim, tho) and there is a cool DVD extra in the case with a show from France. It’s appalling to hear how terrible John’s vocals sound live, they really lack any punch… too bad becouse the picture is killer.
Slow updates
You might have noticed that updates have not been regular lately. That’s because I have been super-busy with the other half of Nuclear Abominations: the label.
Sadly I have to announce that the Nuclear Death demos collection has slipped forward once again in the time table. I am making sure things are made the best way possible for this release so dear to me and I relied on the best artist for the task of putting together all the elements for the layout. I haven’t seen any sketches yet but I quite sure things will be memorabl. He has been busy with jobs like Deathspell Omega so if you want a preview of the style, have a look at those works. So far only the Cd has been discussed but the vinyl version will be released not much later.
So while I am awaiting for a bunch of other releases to be prepared I decided to give the first kick myself. As I am writing, all the layouts and music files are ready at the pressing plant for the first new Nuclear Abominations release. I did it all myself so let’s cross fingers. It won’t be the last one however, I promise. Before saying who the artist on the new 7″ is I want to have the real thing in my hands however, I had too many bad experiences in the past so no proclaims before the ball is rolling in my hands. As soon as I can I will post all infos, including shipping costs etc. Some trades might be possible but only against vinyl. Last word. Believe me this Ep is going to be a real nice cut of blasphemy…
Talking about Nuclear Abominations release ideas which have been promptly taken by other labels, Necroharmonic has just released a re-release of the Singles Collections by Gut, originally on Deliria. Haven’t seen the package but the cover doesn’t look particularly good. Probably my idea of a 3Cd discography would have been somewhat better. Anyway that idea made sense only so far as the band was disbanded, it doesn’t really make sense to make a anthology of an active one (not to mention the last stuff is quite “controversial”).
FULLY CONSUMED (USA-Oh): “Fully Consumed” Cd 2006 Epitomite
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Man I am a real poser but the logo of this band was really APPALLING. I could tattoo myself the Birdflesh one in place of this monstrosity, an unbelievable combination of ugly fonts, flame effects and Photoshop random embellishments. Luckily it seems some effects have been dropped. But the Cd remains legendary in ugliness. Totally wrong resolution, one ton of flaming and glowing effects all around, and to top it off a guy with the Beatles haircut in the band. Things look grim indeed…FULLY CONSUMED (USA-Oh): “Fully Consumed” Cd 2006 Epitomite
Man I am a real poser but the logo of this band was really APPALLING. I could tattoo myself the Birdflesh one in place of this monstrosity, an unbelievable combination of ugly fonts, flame effects and Photoshop random embellishments. Luckily it seems some effects have been dropped. But the Cd remains legendary in ugliness. Totally wrong resolution, one ton of flaming and glowing effects all around, and to top it off a guy with the Beatles haircut in the band. Things look grim indeed…For some reason I remember I was in touch with the singer at the time of Ton, I think I still have a tape he sent me which is halfway made of Ton tracks and halfway dub music. I must be regressing with time because I really don’t remember I ever liked Ton. Fully Consumed is admittedly somewhat better. All the trippy stuff has gone, replaced by some sort of ultra technical stuff. The recording is sharp, the tracks complex and probably musicianship is also quite good, but I really cannot get into it, maybe it’s a period who knows. This band from Akron plays ultra-tight Brutal Death with a double vocal front and a huge dose of contaminations, from funky bass slapping to some elements of Swedish HC. Everything is in constant motion. The vocals are stretched all through the whole spectrum, and the drum and bass section is just hectic. I have no elements to fully appreciate the skill, so I will tell you what it makes me feel. Well, pretty nothing actually. All the sounds are quite artificial. And I don’t really this metallic bass sound a la Cryptopsy stinging so often within the tracks. This must be for lovers of schizoid and technical stuff, a kind of metal I am not predominantly into of late.
One last good thing is that while the booklet is awful, it’s complete for once. It has full lyrics in it and all the stuff. The lyrics are the kind made of short sentences a la Dillinger Escape Plan – not my stuff either, but at least present.
BLACK THE SKY (USA-Il): “Simplistic Mechanics Of Deformable Bodies” MCd 2007 Epitomite
I am not sure I will be able to explain the reason why I didn’t like this Ep, but my problem is that I really cannot find any interesting elements in here and I cannot explain why. It might just be that each one of these tracks is quite forgettable. Black The Sky is the new band of ex-Lividity drummer Mr. James Whitehurst. And it just plain sounds as if the band was founded somewhere in 1998 or ’99. Last millennium’s end was an year or limbo for Death Metal, slightly before the Internet became popular and the revival of old school Metal begun taking ground. It was the time when bands contemporary to Umbilical Strangulation, Prophecy, Fleshgrind and a score of other similar ones were releasing a huge quantity of really uninteresting demos and albums. A formless breed of a new guttural Death Metal scene which looking hindsight, was appallingly plain (with some exceptions, some bands were actually quite interesting and survived to this day, see Necrotic Disgorgement). This Black The Sky‘s Ep has a rather good production but other than this – it is terribly flat. This band plays a contaminated form of late nineties American Death Metal and late hour Hard Core with a particular eye towards slow crunches and power metal chugs but also adorned with a form of pervasive new-school HC melody a la Integrity. The vocals are mid-deep and sometimes have higher peaks, but I cannot count really powerful riffs to make my day or even one memorable track. The worse thing is that the vocals just follow the flow of the muted palm riffs and this a scheme that just sound so dreadfully green, not to mention the riffs seem to be cut and paste without a real concept behind. It goes fast now, slow then, repeat twice… not my cup of tea. The voice in the intro that says “Time To Play” is also identical to the one used in Broken Hope‘s “Loathing” album… I guess it’s from Texas Chainsaw Massacre. Hm. I cannot say it’s a bad album becouse in the end there are good ideas and no clear weak spots, but I am afraid the problem is structural. Professional cover art and excellent work of graphics for the booklet and packaging, although I am not particularly enthusiastic about abstract subjects.FAECES ERUPTION (Hol): s/t split Cd with FLATV5 2007 Grindfest/Urethra
As usual, things get hotter when we are talking about Faeces Eruption. This band plays sick and blasting goregrind the real Dutch way, in the vein of Tumour and Acrotomophilia. Excessively soaked sound, hyper-harmonized hog vocals, gruesomely chaotic riffs that tend to blend in the background and sick pathological song titles. Geert here does everything, from drum programming to bass work, seems like Holland has a good share of one man projects playing Goregrind, maybe an offshoot of their formerly huge electronic music scene. I listened through and through the album 5 times and yet I cannot understand exactly the difference between the two productions as announced by the label. The sound seems quite similar to me but according to the info sheet, the second part should be way heavier with multiple bass lines. What else to say, this is a real massacre to pump up at full volume in the parking lot front of a cinema so you can look the horror on the face of common people. Multilayered grotesque vocals and one million bpm drum bloodbath, so adorable.FLATV5 (Cze): s/t split Cd with FAECES ERUPTION (Hol) 2007 Grindfest/Urethra
Lately I have not been listening to much goregrind with drum machine, it all just kinda got me saturated with dozens of mostly pointless bedroom projects. But I recognize something good when I hear it, and this Flatv5 one man product does a nice work. The best part in the whole project is the songs are made up an extremely good guitarwork, reminding more of moshpit grindcore a la Neuropathia or Ahumado Granujo, rather than sludgy German stuff. The vocals are a mix of liquid gargles and hoarse screams, which are used mostly as an instrument (Sublime Cadaveric Decomposition-style) as I strongly doubt there are any lyrics here. George also uses some burps and animal squeals to spice things up and it works nice. Even if the songs are fast, it really sounds a bit lighter and simpler than the Faeces Eruption part but I admit I liked this band I didn’t know before. Flatvs5 is a project of Definitive Verdict member Geroge Prczaag, which recently moved from Metal to cyberworks. Even if one man projects are usually boring, this is a good band with lots of good ideas. You have to like relentless drum machine gunnery to properly appreciate it – though. Nice cover art , if somewhat clichèd.
